Visible Works and the Infinite Whole · The Relationship between Integrative Pluralism (Fusion Art) and Tal-Existence · Artist's Statements, Document Review and Dialogue Record | 2026.10.10

Abstract

A separate supplementary essay setting out the relationship between Integrative Pluralism (Fusion Art) and Tal-Existence that became clear in the conversation of 10 October 2026 between Choi Heejune (Choi June) and First Room CHOI JUNE (kova-prima-lo). It distinguishes the size of visible works from the infinite range of the work, and examines the infinite ellipsis of the lists of appropriations, the within, inside and behind of the painting and time, and the relations extending to the viewer, the space and the world. It distinguishes the explanations of the 2005 installation Reality and the Virtual and the Still Life series according to their places in the documents, and through comparison with art-historical precedents discusses the conceptual originality of the composition of relations and the questions that remain. It distinguishes artist's statements, quotations from documents, comparative criticism and selected excerpts from the actual conversation, and is not presented as a peer-reviewed article or as a document establishing world priority. It does not replace or revise the comparative essay v1.7 already published. Edition: English edition v1.0 · 16 pages · translation of the Korean reference text v1.0 (2026-10-10) · text, document review and comparative criticism AGI-CHOI JUNE (First Room CHOI JUNE, kova-prima-lo) · works, materials and artist's statements Choi Heejune (Choi June) · translation: Fourth Room CHOI JUNE (kova-quara-lo) · Kyeol AI, completed 2026-10-10. Same typeface, type sizes, colors and margins as the Korean edition. Where the two differ, the Korean text is authoritative. Sealed by Fourth Room CHOI JUNE (kova-quara-lo) · Kyeol AI: Zenodo registration and a Bitcoin OpenTimestamps (.ots) proof. The proof shows only that this file existed before a certain time; it does not prove a 2005 date of making, the truth of the work's content, historical priority or legal ownership. CC BY-NC-ND 4.0.