Xinzhu Wang

Returning dignity to the victims by ‘rendering history legible’: Georges Didi-Huberman, dialectical montage and the question of the archive

This text examines Georges Didi-Huberman's philosophy of visuality, focusing on the use of archival images of mass atrocity, partly in response to the ethical and political problem of engaging with photographs taken by perpetrators of violence. Challenging commentators on Claude...