Pietro Franesi

Comparative History of the Autonomy of Form

This paper does not ask who first “invented” pictorial abstraction—a question that presupposes a single, implicitly Eurocentric origin. It asks instead how many independent visual traditions rendered form autonomous from its depicted subject, and through which internal logics. Gr...

Monet, Van_Gogh, Kandinsky: Quando_il_tempo_diventa_immagine

Questo saggio propone una lettura comparativa di Claude Monet, Vincent vanGogh e Wassily Kandinsky a partire da una domanda comune: che cosa accadeall’immagine quando il tempo, la percezione e l’esperienza cessano di esseresemplici condizioni della rappresentazione e diventano ma...

Interactive Neuroaesthetic Systems: Transmuting Human Physiology, Literature, and Music into Kinetic Fluid Installations

Abstract (da incollare nel campo "Description"):This document outlines a conceptual framework for interactive, multi-sensory art installations that map universal text and musical data into physical fluid abstraction, driven by real-time human physiology. Expanding beyond traditio...

Technical Manual for Creating the Art of New Humanism

Title: Technical Manual for Creating the Art of New HumanismAuthor: Pietro Franesi Abstract:This technical manual addresses the systemic crisis of artistic production under the paradigm of platform capitalism—defined here as "techno-feudalism"—where creative outputs are reduced t...

Technical Manual for Creating the Art of New Humanism

Title: Technical Manual for Creating the Art of New HumanismAuthor: Pietro Franesi Abstract:This technical manual addresses the systemic crisis of artistic production under the paradigm of platform capitalism—defined here as "techno-feudalism"—where creative outputs are reduced t...