Nishant Upadhyay

Desire, Ruin, and Ecological Resistance: Reading Sanduk Through Eco-socialism and Eco-feminism

This study examines Siddhartha Chanakya’s SandukFootnote1 (2025), an independent Indian film that transforms the imagery of war into a radical ecological allegory of life at the limits of the Anthropocene. Set in a post-nuclear wasteland stripped of history and national identity,...